Ballantines Script™
Ballantines Script is a formal script with high contrast and provides an elegant touch to a wide variety of communications. Ballantines Script was designed by Brendel Typestudio in 1974-78 and is distributed under license from Elsner-Flake.
Balzac™
Balzac is a sturdy script face with a slightly rough exterior, Balzac is equally at home in greeting cards and invitations for Valentines Day, Halloween, and Thanksgiving. Balzac is licensed from the Font Company collection.
Brody™
Brody is a cursive script with an upright appearance using distinctive connecting brush-style strokes. Brody has a quirkiness and refreshing appearance, and is wonderful for signs, posters, advertisements or presentations that need a nostalgic or down-home feeling. Brody was designed by Harold Broderson in 1953 for ATF and is distributed under license from Elsner-Flake.
Chandler 42™
One of the first typewriter fonts of its kind, the art deco-styled Chandler 42 was designed by steve mehallo and compiled with forensic care from the voluminous output of a circa 1942 portable typewriter. Chandler 42 features edges meticulously redrafted by hand - and is everything you need to type a 1940s business letter, prep your own vintage facilities report or write that hard boiled novel you've been planning to start. Chandler 42 is distributed under license from steve mehallo.
Changeling™
Mark Simonson developed Changeling as a redesign and expansion of China, a VGC PhotoTypositor typeface released 1975. China had only one weight in all-caps with only a few alternate characters. In Changeling, many characters have been redesigned for more even type color. A complete set of lowercase-style variants have been added, providing endless "unicase" combinations. Changeling is distributed under license from Mark Simonson. Note - font does not contain alternate versions of the A, M, V, and W (a version of the font with these alternates is sold directly by Mark @ www.ms-studio.com).
Chauncy™ Decaf
A very popular font from Chank Diesel, Chauncy Decaf is part of the extensive Chauncy family. It is the first font Chank ever made out of his own kooky nutjob handwriting. Like most families, the Chauncy family has had its share of marriages, divorces and offspring. Chauncy Decaf is a mellow partner of this bold, exciting font family. Chauncy Decaf is distributed under license from Chank.
Circus Poster Shadow™
Circus Poster Shadow was created by Tom Rickner as a tribute to the classic Tuscan Egyptian forms used in many wood types of the 1890's. It captures the spirit of the wild west, amusement parks and circuses. The details of Circus Poster Shadow are best reproduced at larger, display sizes.
Colmcille™ Bold
Colmcille has a Gaelic elegance that makes it readable at small sizes and noteworthy when used in headlines. Designed in the mid-1930's by Colm Ó Lochlainn and first released in digital format in 1993.
Columbus™ (Regular, Italic, Bold, Bold Italic)
Columbus has a fresh and lively hand-drawn feel but works well with today's computer systems and printers. An excellent text face, Columbus can also be used for display in advertising, posters, flyers and headlines, where the true elegance and beauty of the letters can be seen. Columbus was designed by Patricia Saunders and directed by Robin Nicholas in 1992 to celebrate the quincentenary of the voyage from Spanish shores by Christopher Columbus. The regular weight is based on types used in Spain by Jorge Coci circa 1513, and the italic is derived from a font cut by Robert Granjon circa 1543 and used by Bartolome de Najera in 1548 to print a famous manual by the writing master Juan de Yciar. 
Coquette™
Coquette could be the result of a happy marriage of Kabel and French Script. The idea for this typeface was stuck in Mark Simonson’s head since the early '90s and he is very proud to release this unique yet strangely familiar script. Coquette is distributed under license from Mark Simonson.
Creepy™
What a better font to use at Halloween than this blood-dripping classic? Steve Matteson and Carl Crossgrove designed Creepy as a versatile, entertaining font that can be used whenever a scary, ghoulish event comes along.
Dujour™
Steve Matteson created Dujour to enhance posters, signs or other documents with a touch of historical boldness. Dujour is an art deco revival of the 1930’s typeface “Independent” from the Collette and Dufour typefoundry. 
Eagle™ Bold & Light
Eagle Bold and Light make a lasting impression when used in headlines. The Eagle series realizes the ideas behind Morris Fuller Benton’s famous titling, Eagle Bold, the symbol of American recovery, drawn in 1933 for the National Recovery Association. Font Bureau Eagle was started in 1989 for Publish magazine. David Berlow designed a lowercase, finished the character set, and in 1990 added Eagle Book for setting text. In 1994, Jonathan Corum added Eagle Light and Eagle Black to form a full series. Eagle Bold and Light are distributed under license from The Font Bureau.
Gill Sans™ Extra Condensed Bold
Gill Sans is a famous twentieth century sans serif type family with a humanist feel. It has a simplicity of form which does not reject traditional forms and proportions. This version of Gill Sans is very condensed and is best used at display sizes. Designed by Eric Gill, the Gill Sans family was first introduced in 1928. Eric Gill studied under the renowned calligrapher, Edward Johnston, the designer of the London Underground sans serif typeface. 
Goudy Text™
Based on the black letter types established by Johann Gutenberg in the fifteenth century, Goudy Text has a narrow, unembellished lowercase. It can be used in display advertising and on certificates and invitations. Goudy Text is a "blackletter" type first used in 1928 by Frederic W. Goudy in a Christmas card from type cast at his own foundry. 
Lindsey™
Steve Matteson designed this typeface after being impressed and inspired by his niece’s handwriting. Lindsey is a playful cursive script that is youthful but not childish. It has both energy and grace, and can be used in a wide variety of communications from invitations and letters to posters.
Martini at Joe’s™
Martini at Joe's is a modern redrafting of a vernacular style of lettering which was born in California during the atomic age. Restaurants, gas stations, cocktail lounges, car washes -- and, of course, bowling alleys -- all sported this boomerang and amoeba-shaped lettering style, which was a mainstay of a futuristic architectural style called "googie." Named for Northern California's famous "Joe's" restaurants (which hearken back to the same era), Martini at Joe's was hand drawn by steve mehallo as a font for every day use, from the world of tomorrow. Martini at Joe's is distributed under license from steve mehallo.
Mayflower™
Created by Ted Staunton as a classical Roman font taken from a Bible of 1610, the edition likely carried to America by the pilgrims on the Mayflower. This font is great for period reproductions, historic uses, or to recreate the feeling of early Americana. Mayflower is distributed under license from P22 Type Foundry.
New Berolina™
A lively informal design, New Berolina is a non-joining script. Designed by Martin Wilke to look like bold, pen-stroked characters, this font invites imaginative uses. New Berolina is excellent for short, eye-catching statements in advertising, magazines, periodicals, flyers etc.
Rockwell™ Team
Rockwell Team features an outline that evokes images of team sporting events and academic clothing. Steve Matteson created this version of Rockwell, a geometric slab serif design which has retained its popularity since its appearance in the 1930's. The slab serifs, or Egyptians, originated in the nineteenth century when they were used principally for display work. Rockwell is notable for its judiciously clipped slab serifs, and is given a particular sparkle by means of its angular terminals. In more recent years this style of typeface has been increasingly used for text setting where their even colour and visual impact can be fully exploited. 
Skyline Bold Condensed™
Skyline was commissioned from Font Bureau by Condé Nast specifically for Traveler magazine. This strongly personal work of Imré Reiner from 1929 and 1934 was known in Europe as Corvinus. Skyline Bold Condensed offers an immediate headline recognition through Imré Reiner’s own variations on the themes found in the classical ‘Modern’ structure. Both styles were adapted by Jane Patterson for the Font Bureau in 1992. Skyline Bold Condensed is distributed under license from The Font Bureau.
Space Toaster™
Space Toaster was created by Chank Diesel in 1995 as a custom font for the Cartoon Network's "Space Ghost Coast to Coast" web site. This font represents the printed voice of talk show host Space Ghost, the greatest super hero ever. Space Toaster is distributed under license from Chank.
Today Sans™ (Regular, Italic, Bold, Bold Italic)
Today Sans is a stylish humanist sans serif design that is lively and readable. The Today Sans family works delightfully at text sizes in body copy, and also at larger display sizes. Today Sans was designed in 1988 by Volker Küster, and is distributed under license from Elsner-Flake.
Available now for purchase - click here to download
Only $19.99!
Convenient electronic delivery - the Ascender Creativity Font Pack comes as a download file that will automatically install the fonts and design tools onto your computer.
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